In the world of live recordings where ambiance and energy often play
second fiddle to polished studio renditions, Rene Benton’s third album,
“2 Live in O-Ma-Haw; Lyvv in Omaha,” stands out as a triumph of both.
Released by Floodgate Entertainment Group in collaboration with
MTS/Virgin/Universal Music Group, this multi-format album is not just a
collection of performances. It is an homage to Omaha, an exploration of
its cultural evolution, and a reunion of veteran musicians.
From the opening track, Benton’s intention is clear: to enamor and
engage his listeners with a blend of intricate guitar work and rich
storytelling. The album, recorded live in Omaha, resonates with the
spirit of the city through its historical narratives interwoven with
Benton’s personal musical journey. The presence of long-time friends
Troy Johnson on bass, Todd Roberson on drums, and Algerian keyboardist
Nidhal Keddah adds a layer of authenticity and expertise that elevates
each track.
The production team, including names like Tim Zick, Aaron Sprinkle, Nino
Laurenne, and Justin Passamonte, have managed to capture the live
essence without sacrificing the clarity and impact of the studio work.
The album retains a raw, visceral feel that is often lost in live
recordings, making each note and beat palpable.
“2 Live in O-Ma-Haw” is not just about the music; it is about the
experience—the so-called “Documusical Xperience” that Rene Benton
promises. Amidst the fast-paced, electrifying guitar solos, there’s a
palpable narrative about Omaha, its people, and its transformation. This
narrative is perhaps best experienced in the immersive audio and video
formats that allow listeners to feel as though they are part of the
crowd, enveloped in the unfolding musical journey.
Tracks like “Love is Pain” stand out for their poignant lyrics and the
emotional depth Benton brings with his guitar. The song is a gritty,
soul-baring piece that juxtaposes the joy of musical expression against
the backdrop of personal and communal strife. Here, Benton’s prowess as
a guitarist who can play across genres—from rock to funk to country—is
on full display, weaving a complex tapestry of sounds that reflects his
diverse influences.
The rhythm section of the album deserves special mention. Johnson and
Roberson, with their rich history of collaborations, bring a
synchronicity and dynamism that bolster Benton’s melodies. Keddah’s
keyboard provides a harmonic depth that complements Benton’s guitar,
enriching the overall sound without overshadowing the main act.
The album culminates in a powerful finale that seems to encapsulate
Benton’s journey—not just back to Omaha but through life and music. It’s
a poignant reminder of the city’s evolving identity and Benton’s role as
both a witness and a participant in this transformation.
For aficionados of guitar music, “2 Live in O-Ma-Haw” offers a
masterclass in versatility and virtuosity. For those intrigued by
cultural narratives, it presents a rich tapestry of stories woven into
melodies. And for fans of Rene Benton, it is a passionate, powerful
reminder of his talent and commitment to his roots.
Overall, “2 Live in O-Ma-Haw; Lyvv in Omaha” is a powerful statement
from a seasoned artist who continues to evolve while paying homage to
his beginnings. It is a must-listen for those who appreciate the fusion
of personal expression and collective history in their music. Rene
Benton has not only returned to where it all began but has brought his
entire musical journey full circle with this compelling live
performance, making it a landmark in his illustrious career.
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